A Face to a Name -80s Trend on Social Media


Have you uploaded your photograph, reimagined in the grainy, sepia toned glow of the 1980s, onto social media? Congrats! You are now part of millions who queued up and are still queuing up to be aged backwards by an algorithm, all in the name of a little harmless fun. And it was fun. It always is, in the moment.

But have you ever given it a thought on what’s happening underneath the filter, something our very human, very forgetful brains are not quite built to notice. We are, all of us, terrible at holding on to things. We forget names within seconds of being introduced, we recognise a face across a crowded room and cannot place it. This gap, between knowing of someone and truly knowing them, is one of the oldest and most forgivable of human failings. It is also, it turns out, the one thing that machines have been patiently waiting for us to close.

For years now, the platforms we live with have been collecting the parts of us that don't need a face — what we like, what we fear, what we hope, whom we love, what keeps us up at 2 a.m. scrolling instead of sleeping. They have known our anxieties before our doctors have. They have known our loyalties before we have. What they lacked was almost quaint: a face to go with the file. And now, dressed up as nostalgia, handed over with a smile, we have given them exactly that.

This is the peculiar trick of technology today. It never asks for anything directly. It waits for us to want something trivial enough — a filter, a trend, a moment of collective delight — and lets us hand over the valuable thing as a side effect. Nobody forced the photograph out of us. We offered it, the way we offer most of ourselves now, cheerfully and without much thought, because the alternative - FOMO….sitting out a trend, feels like a social death.

Whether this is sinister or simply the shape of modern life depends, as it always does, on who is asking and why. A face can help a machine recognise us faster at an airport, or serve us an advertisement so precisely aimed it feels like being understood. The same completeness that makes us feel seen is what makes us easier to predict, and therefore easier to lead. This is not new — culture has always been in the business of shaping desire — but the scale and the intimacy of it are new, and we have not yet worked out what we feel about being known this well by something that does not, in any sense, know us back.

We created machines specifically to compensate for human limitation.. The tool we built to serve our memory has turned into something that holds a more complete memory of us than we could ever have of ourselves

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